By Michael Hattaway
During this revised and enormously extended variation of the significant other, eighty students come jointly to supply an unique and far-reaching overview of English Renaissance literature and culture.
A re-creation of the best-selling spouse to English Renaissance Literature, revised and up to date, with 22 new essays and 19 new illustrations.
Contributions from a few eighty students together with Judith H. Anderson, Patrick Collinson, Alison Findlay, Germaine Greer, Malcolm Jones, Arthur Kinney, James Knowles, Arthur Marotti, Robert Miola and Greg Walker.
Unrivalled in scope and its exploration of unexpected literary and cultural territories the significant other bargains new readings of either ‘literary’ and ‘non-literary’ texts.
Features essays discussing fabric tradition, sectarian writing, the background of the physique, theatre either in and outdoors the playhouses, legislation, gardens, and ecology in early smooth England.
Orientates the start scholar, whereas delivering complex scholars and school with new instructions for his or her research.
All of the essays from the 1st variation, besides the techniques for extra interpreting, were transformed or up to date.
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Additional resources for A New Companion to English Renaissance Literature and Culture
1996). Subject and Object in Renaissance Culture. Cambridge: Cambridge University Press. Greenblatt, Stephen (1980). Renaissance SelfFashioning. Chicago: University of Chicago Press. Hattaway, Michael (2005). Renaissance and Reformations: An Introduction to Early Modern English Literature. Oxford: Blackwell. Helgerson, Richard (1992). Forms of Nationhood: The Elizabethan Writing of England. Chicago: University of Chicago Press. Introduction Hill, Christopher (1975). The World Turned Upside Down: Radical Ideas during the English Revolution.
Oxford: Blackwell. Spufford, Margaret (1974). Contrasting Communities: English Villagers in the Sixteenth and Seventeenth Centuries. Cambridge: Cambridge University Press. Spufford, Margaret (1981). Small Books and Pleasant Histories: Popular Fiction and its Readership in Seventeenth-Century England. Cambridge: Cambridge University Press. Strong, Roy (1969). The English Icon: Elizabethan and Jacobean Portraiture. London: Routledge & Kegan Paul. Strong, Roy (1979). The Renaissance Garden in England.
Royal Collection, Windsor Castle ‘Britain’, the designation for a long wished for but never achieved nation-state, occurs no fewer than thirty-four times. (The mere thirteen instances of the word in the remainder of the Shakespearean canon often designate ‘Brittany’). Both narrative history and cultural multiplicity enhance the underlying problems that derive from using ‘Renaissance’ to designate both a period and a category of artistic styles within the art and culture of sixteenth- and seventeenth-century Britain.
A New Companion to English Renaissance Literature and Culture by Michael Hattaway